This performing art is closely related to Kalarippayattu. Its origins can be traced back to ancient times when Kalarippayattu was widely practiced. The play is performed by men, following the same steps used in Kalarippayattu. A similar form of this art is also performed by the Christian and Jewish communities of Kerala.
The term ‘paricha’ means shield, which is a key element in battle. This play involves twelve players, with wooden shields and swords as the primary instruments. The steps are known as Chavittu Kettu, Mukkanni, etc. No musical instruments are typically used, though some performances include cymbals or elathalam. A distinctive feature of the play is the rhythmic clashing of swords and shields, producing a unique and exhilarating sound.
The guru or asan (trainer) stands in the center, guiding the players by maintaining rhythm. The performance begins with prayers to God and tributes to prophets and divine figures. Arabi Malayalam songs with special lyrics accompany the play, adding to its traditional essence.
Padipparayal, also known as Paadipparachil or Katha Prasangam, is a traditional form of storytelling performed by an artist duo consisting of a singer and a learned storyteller. This performance usually takes place at night, often in the open spaces outside a mosque. The singer delivers 'Kissapaattu' (narrative songs), while the storyteller explains and interprets the story, engaging and entertaining the audience.
The storyteller must have deep knowledge of the Qur’an and poetry to effectively interpret the narrative and recreate the experience for listeners. A single Kissapaattu performance can extend over ten days. Many of the popular songs in this art form are derived from the poetry of Moyinkutty Vaidyar, who had composed war songs on Islamic battles in an elegant way.
